Course : 72ΦΣ78 MODERN AND CONTEMPORARY AESTHETICS
Course code : PPP441
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| Hegel Lectures on Aesthetics |
| English text on line Critique of Judgment |
| Kritik der Urteilskraft bei Immanuel Kant german text |
| Critique of judgement in Greek by Imm. Kant |
| H. v. Kleist, On the Marionette Theatre |
| Book presentation on Beckett & Wittgenstein |
| Wittgenstein Aesthetics |
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Malcolm Budd Wittgenstein on Aesthetics The Oxford Handbook of Wittgenstein Edited by Oskari Kuusela and Marie McGinn
The Oxford Handbook of Wittgenstein Edited by Oskari Kuusela and Marie McGinn |
| Wittgenstein: A Wonderful Life (1989) |
| Samuel Beckett - Documentary (+Greek subs) - Part 1 |
| Samuel Beckett - Documentary (+Greek subs) - Part 2 |
| Samuel Beckett: Silence to Silence documentary (1991) |
| PHILOSOPHERS ON BEAUTY |
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Metropolitan Opera Orchestra – Wagner: Ride of the Valkyries - Ring (Official Video)
Wagner's Ring presents the ultimate challenge for any opera company, and the New York Metropolitan Opera's new production of Der Ring des Nibelungen, unveiled between 2010 and 2012 and starring some of the greatest Wagnerian singers of today, is among the most ambitious Ring stagings ever mounted. |
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Cheryl Studer sings Elsa's Dream from Lohengrin
Παράδειγμα σχέσης όπερας - αρχαίου δράματος (Nietzsche- Wagner). |
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Nietzsche and Dionysus: Tragedy and the Affirmation of Life
In this video we investigate the nature of the ancient Greek god Dionysus, decipher why Nietzsche was consistently enraptured with such a figure, and explore the connection between tragedy, human greatness and the affirmation of life |
| ΑΝΤΙΓΟΝΗ ΣΟΦΟΚΛΗ (1961) |
| ΑΝΤΙΓΟΝΗ ΣΟΦΟΚΛΗ (1961) |
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EROS AND ORCHESIS
The effects of
χ
studies can be beneficial to the fields of translation and adaptationof plays as well, promoting a conceptual with the explicit movements of the dancers and moreessential - in my view - access to ancient Greek drama and its philosophy. This path offers moreliberties in the work of adaptation and transcription of the plays from the ancient Greek reality tothe reality and the needs
ὁf tὁday’s
academic, literary and artistic communities, that is to theactual environment of the suffering, thinking, liberating body of the contemporary man.After all, it is good to remember that Sophocles, one of the three ancient Greek tragedianswhose plays have survived, renown as the great innovator of ancient drama, was himself a poet,dancer and musician of the highest quality, at the same time, a reality that might use as a justification for attempting an all including
orchestic
interpretation of the famous
stasimon
–
bymeans of music, words AND dance.
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